A Markdown version of this page is available at https://larigami.de/en/artworks/16.md
DE / EN
Exhibitions About News
Exhibitions About News
DE / EN
No. 0 – Beginning
No. 1 – Pyramid Relief
No. 2 – Hexalum
No. 3 – Pyramid Wave
No. 4 – QR Code
No. 5 – Spike Flower
No. 6 – World
No. 7 – 100 Fragments
No. 8 – Tripod
No. 9 – Luminex
No. 10 – Singularity
No. 11 – Pentominoes
No. 12 – Volatus
No. 13 – Exoresonance
No. 14 – Frigoris
No. 15 – Sonova
No. 16 – Orbium
No. 17 – Fractavia
No. 18 – Neurogrid
No. 19 – Astrophagen
No. 20 – Transfluera
No. 21 – Avimera
No. 22 – Primorbis
No. 16 – Orbium – The white ring on a pale wall, its tips radiating outward and casting a soft wreath of shadow
No. 16 – Orbium – Close-up, the points assembled into six-rayed stars
No. 16 – Orbium – View from below into the ring, the inner row leaning towards the centre
No. 16 – Orbium – Detail of the outer rim, the tips growing longer towards the outside
No. 16 – Orbium – The wreath head-on without a frame, three rings of tips layered over one another
No. 16 – Orbium – The framed work above a fireplace set in a pale stone wall
No. 16 – Orbium – The technical section drawing with the angles of the tips above a detail photograph

No. 16 – Orbium Paper Relief by Larisa Semke

Orbium, derived from orbis (circle) and equilibrium (balance), unites spiritual purity with the precision of “sacred geometry.” Its symmetrical, sculptural form conveys order and harmony, while the tilted tips suggest subtle movement.

The form evokes the dynamics of water: the concentric waves that spread after a droplet falls or the swirl of a current circle. Thus, the work connects thoughts of movement, depth, and flow with the clarity and mutability of the element water.

The white coloring enhances the purity and elegance of the design, directing focus to the geometric perfection while playing with light and shadow. It evokes a mandala, the cyclical nature of life and eternity, while the fragility of the paper creates a delicate balance between transience and permanence.

The work appears both meditative and futuristic – an ornament of structure, control, and perfection that hovers between spirituality and modern aesthetics.

Completed:
February 2025
Size:
81 × 81 × 11 cm
Edition:
Unique paper artwork, handcrafted
Material:
Rössler Edelleinen white, 100 g/m²
Substrate:
BRAMANTE Whiteboard, bright white, 2200 g/m², 81 × 81 × 0.4 cm
Frame:
white lacquered wood
Parts:
280 pyramids

Exhibition at Düren, Germany ( 2026)

sold
Imprint Privacy
YouTube channel Instagram profile Facebook page Pinterest profile